We Help You With Publishing
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We Help You With Publishing
Writing a script is nothing like writing a novel. Every second counts. Every line of dialogue must reveal character or advance plot. Most new screenwriters fail because they ignore structure, overwrite descriptions, or create characters who all sound the same.
At
Author Publishers Hub, our script writers are trained in industry standards: feature films,
television
pilots, short films, and web series. We understand three act structure, sequence approach, and
the nuances of different genres. We write in proper Final Draft format so your script passes the
first glance test. Whether you have a high concept action thriller, a quiet indie drama, or a
pilot for a streaming series, we help you craft a script that feels professional and ready for
coverage.
We handle:
The problem: Many first time screenwriters start with a cool idea but no structure. They write 30 pages, get lost, and give up.
Author Publishers Hub's solution: We build your script from the industry standard foundation. We map out page counts: first 10 pages for hook, act one break around page 25, midpoint at page 55, act two break near 75, climax by 105. We also track subplots and ensure every scene pushes the story forward. With a solid blueprint, you will never write yourself into a corner.
What our architecture gives you:
The problem: New screenwriters write too much description or too little. Action lines become novels. Or the script feels like a radio play.
Author Publishers Hub's solution: We write visually. Short, punchy action lines. White space on the page. We show, not tell. A character is not "angry." We write "he slams the door." We also vary scene length: quick cuts for action, longer takes for emotion. Your script will read fast and play faster.
How we build visual flow:
The problem: In bad scripts, every character sounds like the writer. Same vocabulary. Same humor. Same rhythm.
Author Publishers Hub's solution: We give every character a unique way of speaking. A cop speaks in sentence fragments. A professor uses subordinate clauses. A teenager interrupts. We also use subtext: characters say the opposite of what they mean. Your dialogue will not just sound real. It will reveal who these people are.
Our character voice process includes:
The problem: Writing a script is a lonely, overwhelming process. You need structure, feedback, and accountability.
Author Publishers Hub's solution: We give you a clear four stage collaboration. First, you share your logline, genre, and character ideas. Second, we deliver a beat sheet (major plot points). Third, we write a full outline with scene numbers. Fourth, we write the script in weekly batches of 10 to 15 pages. You approve each batch. No surprises. No ghosting.
What our process guarantees:
A script thrives on subtext, economy, and visual thinking. Great script writing is invisible; the reader sees the movie, not the words.
Great script writing is a blend of architecture, visual imagination, and emotional truth. Author Publishers Hub brings the architecture. You bring the vision. Together, we create a script that gets read.
We treat your script like it could be the next festival darling. Because it might be.
Imagine your title page being read by a producer. Your dialogue performed by actors. Your name in the credits. That moment is one script away.
A professionally written script is not just a creative document. It is a calling card. It can:
Most people talk about writing a screenplay. They outline act one and quit. Author Publishers Hub clients actually finish, submit, and get read.
The best time to start was when you first imagined the opening scene. The second best time is right now.
Yes. You own everything. Author Publishers Hub does not claim co writing credit, royalties, or ownership. You can sell, option, or produce your script anywhere. We sign a work for hire agreement that gives you 100 percent of the rights.
A standard feature film script is 90 to 120 pages. A short film script is 5 to 40 pages. A one hour TV pilot (drama) is 55 to 65 pages. A half hour comedy pilot is 30 to 40 pages. We will recommend the right length for your story and market.
Absolutely. That is our most common scenario. Send us your treatment, beat sheet, or even just a synopsis. We will expand it into a full script while preserving your voice and vision. You approve every 10 to 15 pages. This saves you time and money compared to starting from scratch.
We write across all genres. Our team includes specialists in: Action and thriller, Horror and suspense, Comedy (rom com, dark comedy, slapstick), Drama (family, legal, period), Science fiction and fantasy, Young adult and coming of age. If your genre is not listed, just ask. We have likely written it.
Pricing depends on length. A 100 page feature film script starts at 6,000 dollars. A 60 page TV pilot ranges from 4,000 to 6,000 dollars. A 15 page short film script starts at 1,800 dollars. We offer payment plans. If you need multiple drafts or a detailed treatment first, we provide a custom quote. Flat fee. No surprises.
Yes. We offer add on services: professional script coverage (analysis and notes), final formatting polish, and submission packages to major competitions (Nicholl, Austin Film Festival, etc.). We also provide a list of reputable competitions and agents. Some clients use us only for writing. Others take the full service package.