We Help You With Publishing
Editing is not just fixing commas. It is seeing the big picture and the smallest details at the same time. Most authors try to edit their own work and fail because they are too close to the story. Others hire cheap editors who only correct spelling, leaving structural problems untouched.
At Author Publishers Hub, our editors are trained in four levels of editing: developmental, line, copy, and proofreading. We read your manuscript like a reader would, then like a publisher would. We flag plot holes, character inconsistencies, slow pacing, and unclear sentences. But we never change your voice. We only sharpen it. The result is a book that feels professional, polished, and unmistakably yours.
The problem: You have written chapters, but they do not flow. The beginning is slow. The middle wanders. The ending feels rushed.
Author Publishers Hub's solution: We perform a developmental edit first. We look at your overall structure: hook, inciting incident, act breaks, climax, resolution. We identify missing scenes, redundant chapters, and pacing issues. Then we deliver an editorial letter with actionable recommendations. You decide which changes to make. We never rewrite without your permission.
What our structural edit gives you:
The problem: Your sentences are correct but dull. Passive voice. Clunky transitions. Repetitive words. The story gets lost inside the prose.
Author Publishers Hub's solution: We perform line editing at the sentence level. We tighten flabby phrases, cut adverbs, and replace weak verbs. We vary sentence length for rhythm. We ensure every paragraph earns its place. Your voice stays intact. We just remove the noise. A reader will feel the difference but never see our fingerprints.
How we improve flow:
The problem: You have edited so many times that your character suddenly sounds different in chapter 10. Or your narrative voice drifts from formal to slang.
Author Publishers Hub's solution: We read for consistency. Does your protagonist use the same slang throughout? Does your narrator maintain the same level of formality? Do character descriptions match across chapters? We flag every inconsistency and suggest fixes. We also ensure your author voice remains authentic. We are editors, not ghostwriters. We polish, we do not replace.
Our voice and consistency process includes:
The problem: You do not know what level of editing you need. You are afraid of paying for the wrong service.
Author Publishers Hub's solution: We offer a free 10 page sample edit. You send us your first 10 pages. We edit them and tell you exactly what your manuscript needs: developmental, line, copy, or proofreading. Then we give you a firm quote. Once you approve, we edit in passes. First developmental, then line, then copy, then proofreading. You review our changes track changes style. You accept or reject each one.
What our process guarantees:
Editing thrives on distance, rigor, and respect. Great editing makes the author look good, not the editor.
Great book editing is a blend of structural vision, grammatical precision, and author advocacy. Author Publishers Hub brings all three. You bring your manuscript. Together, we make it shine.
We treat your book like it will be judged by agents, publishers, and readers. Because it will.
Most people wait years to publish. The best time to start was yesterday. The second best time is now.
Imagine reading your manuscript and smiling at every page. No more cringing at typos. No more worrying about plot holes. That feeling is one edit away.
Professional editing is not an expense. It is an investment. It can:
Most people skip editing to save money. They publish mistakes and regret it. Author Publishers Hub clients invest in quality and watch their books succeed.
The best time to edit was before your first draft. The second best time is right now.
Developmental editing focuses on big picture: structure, plot, pacing, character arcs. Line editing focuses on sentence flow, word choice, and voice. Copy editing focuses on grammar, punctuation, consistency, and style guide adherence. Proofreading is the final pass for typos and formatting errors. Most manuscripts need all four. We can do one or a bundle.
For fiction, developmental editing is most important if your plot or pacing is broken. For non fiction, line editing matters most for clarity. If your manuscript is already strong structurally, start with copy editing and proofreading. We offer a free 10 page sample edit to help you decide.
No. We edit for clarity and correctness, not to impose our style. You will see every change in track changes. You can reject any edit you do not like. We also add comments explaining why we suggested a change. Your voice is protected.
A 70,000 word novel typically takes 2 to 3 weeks for a full edit (developmental, line, copy). A 100,000 word non fiction book may take 4 weeks. Proofreading only can be done in 5 to 7 days. Rush editing is available for an additional fee. We always meet deadlines.
Pricing depends on word count and editing level. A proofread only (70,000 words) starts at 700 dollars. A copy edit starts at 1,200 dollars. A line edit starts at 1,800 dollars. A full developmental edit starts at 2,500 dollars. A complete package (all four levels) ranges from 4,000 to 6,000 dollars for a typical novel. We offer payment plans and a free sample edit to confirm the quote.
Yes. We can edit as you write, providing feedback on individual chapters. This is called a chapter by chapter edit. It helps you catch issues early before they compound. Pricing is per 10,000 words or per chapter. We also offer a manuscript evaluation (no line edits, just a letter) for unfinished drafts.